Hidden Stage Instructions and TDA Revisions

English I students worked on some of the hidden stage instructions in act 1 scene…

January 08, 2024

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English I students worked on some of the hidden stage instructions in act 1 scene 5 of Romeo and Juliet :

ROMEO
[…] Did my heart love till now? forswear it, sight!
For I ne’er saw true beauty till this night.

TYBALT
This, by his voice, should be a Montague.
Fetch me my rapier, boy. What dares the slave
Come hither, cover’d with an antic face,
To fleer and scorn at our solemnity?
Now, by the stock and honour of my kin,
To strike him dead, I hold it not a sin.

CAPULET
Why, how now, kinsman! wherefore storm you so?

TYBALT
Uncle, this is a Montague, our foe,
A villain that is hither come in spite,
To scorn at our solemnity this night.

CAPULET
Young Romeo is it?

TYBALT
‘Tis he, that villain Romeo.

CAPULET
Content thee, gentle coz, let him alone;
He bears him like a portly gentleman;
And, to say truth, Verona brags of him
To be a virtuous and well-govern’d youth:
I would not for the wealth of all the town
Here in my house do him disparagement:
Therefore be patient, take no note of him:
It is my will, the which if thou respect,
Show a fair presence and put off these frowns,
And ill-beseeming semblance for a feast.

TYBALT
It fits, when such a villain is a guest:
I’ll not endure him.

CAPULET
He shall be endured:
What, goodman boy! I say, he shall: go to;
Am I the master here, or you? go to.
You’ll not endure him! God shall mend my soul!
You’ll make a mutiny among my guests!
You will set cock-a-hoop! you’ll be the man!

TYBALT

Why, uncle, ’tis a shame.

CAPULET

Go to, go to;
You are a saucy boy: is’t so, indeed?
This trick may chance to scathe you, I know what:
You must contrary me! marry, ’tis time.
Well said, my hearts! You are a princox; go:
Be quiet, or–More light, more light! For shame!
I’ll make you quiet. What, cheerly, my hearts!

We were looking to see

  1. What other people might be involved in this scene other than Capulet and Tybalt
  2. What changes we might need to show in various characters’ tone of voice in a given line and
  3. What physical movements we might need to incorporate.

By the end of the lesson, students saw that the key to the dilemma is the realization that, at the end, Capulet is not just talking to Tybalt:

English 8 students continued working on their TDA review (English I students will do this later). We’re to the point that we can write a revised TDA paragraph about the frog that is a quite good paragraph.

Homework

  • English 8 Studies: none.
  • English I Honors: go over the questions in the study guide for 1.5 of Romeo and Juliet.

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