Final Practice and Tone

First, second, and seventh periods practiced their parts from Anne Frank.  First and seventh periods also worked on using context to determine a word’s meaning.

Fourth period completed work with tone. After writing a description of walking a dog with a prescribed tone, students read their work to the class and the audience had to identify the tone. We wrapped everything up by looking at the specific details that indicated the writer’s tone.

Homework
  • First and seventh periods:
    • complete the pre-reading exercise (from class);
    • review your part.
  • Second period: complete character/conflict chart.
  • Fourth period: read through the “Tone” side of the “Tone/Mood Words” handout and make a list of all the stems you recognize. (It’s not necessary to know the meaning in order to list the stem; you simply have to recognize it as a stem, perhaps thinking to yourself, “What does that mean?”)

Rehearsal and Tone

Fourth period continued working on mood and tone. We watched a few trailers for films in which the genre had been switched through skillful editing.

  • Dumb and Dumber was turned into a horror film, Lurk and Lurker;
  • The Shining was transformed from horror film into a feel-good romantic comedy; and
  • Mary Poppins edited as a horror film, Scary Mary.

After examining the elements of tone and mood in the trailers (music, sound effects, lighting, scene sequence), we tried our hand at writing the same thing (an account of taking a dog for a walk) with different examples of tone and mood.

All other classes worked on Diary of Anne Frank.

Homework
  • First, second, and seventh periods: continue reviewing parts at home.
  • Fourth period: none.

Preparations and Presentations

First, second, and seventh periods spend the day preparing for the in-class performance/reading of Diary of Anne Frank.

Seventh Period

Seventh Period

Second Period

Second Period

Seventh Period

Seventh Period

Second Period

Second Period

Seventh Period

Seventh Period

Each group had a chance to practice as a group and discuss the text. I also shared with students the grading criteria:

  1. Preparedness: I am familiar with my lines (not necessarily memorized) and I understand the meaning of my words.
  2. Awareness: As I’m performing, I am aware of what others are doing and what I should do in response. I am also aware of where we are in the play and know when my character will be speaking again.
  3. Expression: The tone of my voice and my gestures reflect my character’s emotional state.
  4. Volume: Peers can hear me at all times.
  5. Enthusiasm: It’s obvious that I’m doing my very best, and I’m taking it seriously.

Fourth period completed the presentations/class discussions for “Cub Pilot on the Mississippi” that we began yesterday.

Fourth Period

Fourth Period

It was an informal practice for the coming poetry unit, during which students will be teaching small mini-lessons on topics and/or poems.

Additional pictures are available at the gallery.

Homework
  • First and second periods: review your individual roles.
  • Fourth period: analyze the tone/mood sheet; determine the mood of the three major pieces we’ve read in class thus far.
  • Seventh period:
    • review your individual roles;
    • study for stems test.

Initial and Final Thoughts

First, second, and seventh periods finished the anticipatory lesson for a unit on The Diary of Anne Frank. As such, we had an today, drawing on students’ prior knowledge of the Holocaust and making it personal through a series of reflective writing exercises. To do this, we looked at a slide show I created about the Holocaust, starting from the rise of the Nazis and ending with some photos I took in 2005 during my own visit to Auschwitz.

Walling up the Ghetto

Working

Leaving the Ghetto

Electrified Barbed Wire

Fourth period went over “Cub Pilot on the Mississippi”, paying close attention to how Twain uses formal diction to create a playful mood in the memoir. We simply prepared in groups today for the main presentation and discussion tomorrow.

Homework
  • First and seventh periods: none.
  • Second period: complete vocabulary preparation for Anne Frank.
  • Fourth period: none.

Holocaust and Written Style

Fourth period worked on three elements of an author’s (and individual selection’s) style:

  • diction
  • tone, and
  • mood.

We looked at an example selection to see how the author manipulated words and phrases to create a specific mood and tone.

First, second, and seventh periods  began a couple of days of lessons dealing with the Holocaust in preparation for reading the Diary of Anne Frank.

All periods turned in the final draft of one or another projects.

Homework

Fourth period: read “Cub Pilot on the Mississippi”

Final Draft and Intro to Style

First and seventh periods had a final day of work on the memoir final draft. It is due tomorrow, along with several other documents:

  1. First draft
  2. Peer editing form
  3. Second draft
  4. Final draft
  5. Rubric

Fourth period worked on the nonfiction form and will continue tomorrow. We’ve begun a short unit on the memoir and we will be focusing on the relationship tone, mood, and diction have with author’s purpose and audience.

Second period began Diary of Anne Frank by looking at the Holocaust and setting the stage for the Frank’s dramatic hideout in Amsterdam.

Homework
  • First and seventh periods: finish final draft of memoir.
  • Second period: three questions students might have about the information presented today.
  • Fourth period:
    • complete the final draft of the Antigone essay (rubric available here);
    • read page 435 (on tone, mood, and diction).

Mood and Dialogue

First period had a quick review of nominative and objective case personal pronounse.

Second period finished up the dialogues combining characters from Journey Home and I Know Why the Caged Bird Sings. Some students took grammar handbooks for the self-study parts of speech review.

Fourth and sixth periods finished up reading the excerpt from An American Childhood. They also had a quiz on the vocabulary.

Homework
  • First period: page 144 (bottom).
  • Second period: read chapters 31-34.
  • Fourth and sixth periods: questions 6-9 on page 142.

Mood and Dialogue

First period continued looking at mood and author’s purpose with the selection from A. Dillard’s An American Childhood.

Second period continued working on their dialogues.

Fourth and sixth periods began reading the selection from An American Childhood and started looking at how Dillard creates a mood of fear in the piece.

Homework
  • First period: complete mood chart (classwork)
  • Second period:
    • continue working on Caged Bird/”Annabelle” essay (as applies)
    • vocabulary quizzes.
  • Fourth and sixth periods: study for vocabulary quiz tomorrow.

Displacement and Mood

First, fourth, and sixth periods began a new selection that will focus on mood. Our first task: determine what mood is and how writers create it. And to do that, we … listened to music and watched movie trailers. We did this to see what mood is: an atmosphere created by a work of art. We watched a trailer for a romantic comedy, then watched a re-cut version of the trailer that made the film appear to be a horror film. We then transitioned to mood in writing, looking at three ways writers create mood.

Second period continued I Know Why the Caged Bird Sings. We looked at the continuing theme of displacement and how that theme is manifested in the dentist episode and Bailey’s encounter with a dead body.

Homework
  • First, fourth, and sixth periods: “Mood” handout, exercise A, numbers 1-3.
  • Second period: Read chapters 26, 27.

Mood for a Day

First, fourth, and sixth periods had a selection test on “Cub Pilot,” conflict, and prediction. Hopefully everyone did well. After the test, we began the next selection by talking about mood, which is the feeling that a piece of writing creates in a reader.

Second period had something of a catch-up day. We went over indirect objects and in doing so, determined we needed to have a general parts of speech review. We’re going to have an individualized review, starting tomorrow. Students will review at home on their own, and we’ll devote a little class time to questions they might have. Hopefully, before the end of the month, we’ll have a good understanding of the parts of speech.

Homework
  • First, fourth, and sixth periods: none.
  • Second period: chapters 24 and 25.