Second period finished watching Romeo + Juliet. We watched an abreviated version today, skipping several scenes in order to finish the film today. Everyone groaned at the Hollywood-ization of the ending.
Second period will be finishing up the discussion of R&J Thursday. For that discussion, they are to prepare notes (including citations) for the following questions, presented by Mrs. Schrader, one of our District Instructional Facilitator :
Juliet says, “I must love my loathed enemy.” Why does she act like she has no choice in the matter?
How are the themes of fate and retribution exemplified?
The nurse and Friar Laurence both conspire to help the young lovers but for different reasons. What do you think their reasons are?
First, fourth, and sixth periods worked on editing for sentence fragments. First period completed editing for run-on sentences as well.
First, fourth, and sixth periods began using WordPress for our class blog: students.ourenglishclass.net. We’ll be finishing up Monday with our first posts (persuasive pieces on the death penalty), and we’ll be publishing some next week. Those who have turned in their permission slips will be able to publish. Currently, there’s very little posted.
First, fourth, and sixth periods spent some time in the library doing research for their social position papers (i.e., persuasive essays) on capital punishment. We’ll be spending one more day in the library before returning to the classroom to begin writing our actual essay.
As part of a cross-curricular project with Ms. Green, the social studies teacher, students in first, fourth, and sixth periods will be spending this week working on social position papers about the capital punishment.
Today, we discussed the issue and made lists of pro and con arguments.
Tomorrow, we’ll be going to the library to do some research on the subject.
First period reviewed direct objects from yesterday and went over indirect objects today.
Second period completed act 3 scene 5, with Capulet’s famous tirade (lines 145-173):
Soft! take me with you, take me with you, wife.
How! will she none? doth she not give us thanks?
Is she not proud? doth she not count her blest,
Unworthy as she is, that we have wrought
So worthy a gentleman to be her bridegroom? […]
How now, how now, chop-logic! What is this?
‘Proud,’ and ‘I thank you,’ and ‘I thank you not;’
And yet ‘not proud,’ mistress minion, you,
Thank me no thankings, nor, proud me no prouds,
But fettle your fine joints ‘gainst Thursday next,
To go with Paris to Saint Peter’s Church,
Or I will drag thee on a hurdle thither.
Out, you green-sickness carrion! out, you baggage!
You tallow-face! […]
Hang thee, young baggage! disobedient wretch!
I tell thee what: get thee to church o’ Thursday,
Or never after look me in the face:
Speak not, reply not, do not answer me;
My fingers itch. Wife, we scarce thought us blest
That God had lent us but this only child;
But now I see this one is one too much,
And that we have a curse in having her:
Out on her, hilding! […]
God’s bread! it makes me mad:
Day, night, hour, tide, time, work, play,
Alone, in company, still my care hath been
To have her match’d: and having now provided
A gentleman of noble parentage,
Of fair demesnes, youthful, and nobly train’d,
Stuff’d, as they say, with honourable parts,
Proportion’d as one’s thought would wish a man;
And then to have a wretched puling fool,
A whining mammet, in her fortune’s tender,
To answer ‘I’ll not wed; I cannot love,
I am too young; I pray you, pardon me.’
But, as you will not wed, I’ll pardon you:
Graze where you will you shall not house with me:
Look to’t, think on’t, I do not use to jest.
Thursday is near; lay hand on heart, advise:
An you be mine, I’ll give you to my friend;
And you be not, hang, beg, starve, die in
For, by my soul, I’ll ne’er acknowledge thee,
Nor what is mine shall never do thee good:
Trust to’t, bethink you; I’ll not be forsworn.
After going over it in the original, we had the students act it out using a modified, modernized version: some eyes were wide hearing just how nasty Capulet was being with his daughter.
Fourth and sixth periods used the persuasion maps we created yesterday to begin writing a draft of their persuasive essay.
First period: none.
finish reading act 4;
complete the study guide through act 4;
take the act 3 quiz.
Fourth and sixth periods: complete the essay started in class.
First period worked on a review of direct objects. Afterwards, we began organizing our persuasive writing pieces. During exploratory, students completed a first draft.
Second period completed R&J act three scene two. We noted several parallels between how Juliet describes Romeo in the opening soliloquy and how Romeo describes her in act 2 scene 2. There are also some parallels in how Romeo describes his mixed emotions in act 1 scene 1 and how Juliet describes her feelings in act 3 scene 2.
Fourth and sixth periods began organizing their persuasive essays.
First period: finish essay (if not in class).
read act 3 scenes 3 and 4;
compare and contrast Romeo’s reaction to Juliet’s; and
First, fourth, and sixth periods presented their persuasive argument about who should win the prize — a bit of free time at the end of class tomorrow. The groups presented in random order, and an outside teacher evaluated the arguments in two of the three classes (she was busy in sixth period).
Second period finished working on sentence types:
Afterward, we finished R & J act 2 scene 3.
First period: none.
read act 2 scene 4;
quiz on act 2 scene 4 coming up;
complete study guide through act 2 scene 4.
Fourth and sixth periods: “Persuasion all around us” activity.
Second period took a break from Romeo and Juliet to look at the four types of sentences:
The other periods began with a quick starter. One exercise: make a prediction about the following passage:
The ground-breaking ceremony for the new game arcade began quietly. The ceremony was solemn, with builders, bankers, and investors making nice speeches about the value of the arcade for the community. Twelve kids had been invited to break the ground. They waited with their shovels. The signal came for the first boy to dig a shovelful of dirt. He dug; but he could not resist tossing the dirt high into the air so that it fell on the next kid in line. There were giggles from the young people and glares from the adults. The next person, Ellie, stepped up and dug a chunk of dirt, her eyes twinkling.
Fairly obvious what happened next.
Afterward we began our persuasive writing. There will be a prize for a select number of people Thursday, and the winners will be determined in a debate, with another teacher serving as the judge. We’ll then go back and look at the arguments to determine which persuasive techniques each group used.
First period had an extended review/starter. It didn’t work out quite as well as the student-leaders planned as their prepared Power Point materials decided not to cooperate.
Second period completed act 2 scene 2 — the most famous scene in theater: the balcony scene.
But, soft! what light through yonder window breaks?
It is the east, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief,
That thou her maid art far more fair than she:
Be not her maid, since she is envious;
Her vestal livery is but sick and green
And none but fools do wear it; cast it off.
It is my lady, O, it is my love!
O, that she knew she were!
Fourth period began a two-day lesson on narrative poetry.
Sixth period had the same guest teacher as fourth period had yesterday.
First period: none (except completing the poetry project to turn in Monday).
take the quiz on act 1;
use the online forum to do the rewrites of act 2 scene 2.
First period finished up “Runagate Runagate”, looking at one passage in particular.
Moon so bright and no place to hide,
the cry up and the patterollers riding,
hound dogs belling in bladed air.
And fear starts a-murbling, Never make it,
we’ll never make it. Hush that now,
and she’s turned upon us, levelled pistol
glinting in the moonlight:
Dead folks can’t jaybird-talk, she says;
you keep on going now or die, she says.
There is also a nonfiction selection in our textbook about Harriet Tubman, and it relates this scene. We read a passage from it and then discussed the narrative elements in the poem.
We finished the day by working on poetry projects (due Monday).
We took some time to examine closely one of the most famous passages in all of Shakespeare’s writing: Mercutio’s Queen Mab speech.
As we took it apart, we had an artist in the class create a dry-erase on white-board interpretation of Mab.
O, then, I see Queen Mab hath been with you.
She is the fairies’ midwife, and she comes
In shape no bigger than an agate-stone
On the fore-finger of an alderman,
Drawn with a team of little atomies
Athwart men’s noses as they lie asleep;
Her wagon-spokes made of long spiders’ legs,
The cover of the wings of grasshoppers,
The traces of the smallest spider’s web,
The collars of the moonshine’s watery beams,
Her whip of cricket’s bone, the lash of film,
Her wagoner a small grey-coated gnat,
Not so big as a round little worm
Prick’d from the lazy finger of a maid;
Her chariot is an empty hazel-nut
Made by the joiner squirrel or old grub,
Time out o’ mind the fairies’ coachmakers.
And in this state she gallops night by night
Through lovers’ brains, and then they dream of love;
O’er courtiers’ knees, that dream on court’sies straight,
O’er lawyers’ fingers, who straight dream on fees,
O’er ladies ‘ lips, who straight on kisses dream,
Which oft the angry Mab with blisters plagues,
Because their breaths with sweetmeats tainted are:
Sometime she gallops o’er a courtier’s nose,
And then dreams he of smelling out a suit;
And sometime comes she with a tithe-pig’s tail
Tickling a parson’s nose as a’ lies asleep,
Then dreams, he of another benefice:
Sometime she driveth o’er a soldier’s neck,
And then dreams he of cutting foreign throats,
Of breaches, ambuscadoes, Spanish blades,
Of healths five-fathom deep; and then anon
Drums in his ear, at which he starts and wakes,
And being thus frighted swears a prayer or two
And sleeps again. This is that very Mab
That plats the manes of horses in the night,
And bakes the elflocks in foul sluttish hairs,
Which once untangled, much misfortune bodes:
This is the hag, when maids lie on their backs,
That presses them and learns them first to bear,
Making them women of good carriage:
This is she–
By the end, everyone was in agreement with Romeo: “Peace, peace, Mercutio, peace! / Thou talk’st of nothing.”
Fourth period had a guest teacher.
First period: none.
Second period: complete all materials in the study guide for act 1 of R & J.